![]() Hand Drawn Submarine Cartoon Marine Themed Kids Nursery Design Dust Washable Reusable Filter and Mouth Warm Windproof Cotton Face Baby Products Hand Drawn Submarine Cartoon Marine Themed Kids Nursery Design Dust Washable Reusable Filter and Mouth Warm Windproof Cotton Face Baby Products.Hand Drawn Submarine Cartoon Marine Themed Kids Nursery Design Dust Washable Reusable Filter and Mouth Warm Windproof Cotton Face Baby Products Hand Drawn Submarine Cartoon Marine Themed Kids Nursery Design Dust Washable Reusable Filter and Mouth Warm Windproof Cotton Face Baby Products Research, Innovation & Development (RID).Innovation and Development Accelerator (IDA).Information & Communication Technology Services (ICT).Corporate Engagement & International Relations (CEIRD).Sam Nujoma Marine & Coastal Resources Research Centre.Quality Assurance and Management (CEQUAM).Centre for Innovation in Learning and Teaching (CILT).Grants Management and Resource Mobilization.Faculty of Health Sciences & Veterinary Medicine.School of Humanities, Society & Development.School of Business Management, Governance & Economics.School of Engineering & the Built Environment.School of Agriculture & Fisheries Sciences.Faculty of Agriculture, Engineering & Natural Sciences.Online Support for Distance Education/Part-time Studies.Distance/Part-time Postgraduate Programmes.Distance/Part-time Undergraduate Programmes.Distance Education/Part-time Requirements.23-25 with proceeds benefiting the Ronald McDonald house. The exhibition will be taking place at 221 W 2nd St, Austin, TX Feb. I had no idea, of course, that “Scooby-Doo” would be anywhere near as successful and long-lasting as it was. RC: I was actually working on animating “The Yellow Submarine,” at the time, and at night I was working on “George of the Jungle,” and some days through the week, I would go over to Hannah-Barbera, helping storyboarding and developing for the season of “Scooby-Doo.” It’s just part of what I did in my life. Later on I did much the same thing with Disney studios, doing “Tailspin,” “Winnie The Pooh,” “Darkwing Duck,” storyboarding a lot.ĭT: What was it like to be involved with the original development team for “Scooby-Doo?” My studio was across the road from Hanna-Barbera, Bill Hanna used to cross the road with stuff for my studio. After I left for my own studio, Bill would subcontract to my studio for films when they were overloaded with work and needed extra help. I needed to work for the first year for legal reasons, getting my green card, and I worked for Bill Hanna for the first year. RC: That was when I first came to America. Consequently, fans of “The Yellow Submarine” and all the people who watched the Beatles TV cartoon show that I directed as a young man, people who remember that television show with a lot of pleasure pass that pleasure on to their children.ĭT: How did you begin working with Hanna-Barbera? I meet children who are like two years old, five years old, ten years old, twenty years old, all fans of the Beatles. Parents who love the Beatles somehow have a habit of passing their enthusiasm on to their children. ![]() I meet Beatles fans of all ages, and I really mean all ages. RC: It’s amazing how many young people still listen to the Beatles. I was the first generation able to earn a living in Australia doing animation, which was fortunate for me, and enabled me to get into animation at all.ĭT: How do you feel about your work on “The Yellow Submarine” and the Beatles cartoon being enjoyed by such a broad audience? Just as I came out of art school in Australia, television came and for the first time there was a demand for television commercials and animation. “You mean I can do drawings that can come alive?” I carried that with me in a way through my student-age years into art school. It really struck me as a remarkable thing. Ron Campbell: I got started when I learnt, as a six year old, that “Tom and Jerry” cartoons I’d watch on a Saturday afternoon were actually drawings. 23-25 in Austin, where he will be demonstrating his skills and selling his work to benefit charity.ĭaily Texan: What inspired you to become an animator? Campbell spoke with the Texan in preview of an exhibition of his art Feb. For decades, children have enjoyed cartoons such as “Scooby-Doo,” “The Yellow Submarine,” “Winnie the Pooh” and “Rugrats.” Having played a major role in the animation and storyboarding of these cartoons, Ron Campbell is an international animation sensation with a career spanning half a century.
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